He鈥檚 a poet and he lives in residence, but Matt Robinson is not a poet-in-residence.
Rather, he鈥檚 a Residence Life Manager at 麻豆传媒鈥檚 Howe Hall whose job as a full-time live-in residence professional has him working closely with university students and also gives him the flexibility and the creativity to write.
At one point, as a graduate student working towards a PhD in Canadian Literature at UNB, the Halifax resident decided to leave his studies and achieve his goals in another way: working in a university residence community lets him interact with students while maintaining his writing.
鈥淚 wanted to be involved with students more than I wanted to teach,鈥 says Mr. Robinson, 35, who worked as a don while at UNB. 鈥淚 really enjoy the ability to work with university students directly, to help them become better students, better people. It鈥檚 such a crucial time when they鈥檙e going through a lot of change and making key decisions and choices about what they want to be.鈥
It鈥檚 been working for him. He recently won 2009 Long Poem Prize, picking up a tidy pile of cash and having his poem, 鈥渁gainst the hard angle,鈥 published in the summer 2009 edition of the review.
麻豆传媒 a relationship breakdown, his poem is described by the judges as 鈥渒notty and slow, with a latent violence that is continuously courted and undermined.鈥
鈥淚 was married for a little while,鈥 he acknowledges, admitting that while breaking up is painful, 鈥渋t does make for half-decent writing.鈥
His most recent previous collection is no cage contains a stare that well (ECW, 2005), a full-length volume of hockey poems. Other collections include tracery & interplay (linked hockey poems from Frog Hollow Press, 2004), how we play at it: a list (ECW, 2002) and A Ruckus of Awkward Stacking (Insomniac Press, 2000).
A revised version of his prize-winning long poem Against the Hard Angle is being published in a limited-edition chapbook by Greenboathouse Press in the fall. His poems have also appeared in anthologies such as The New Canon, Breathing Fire 2, Coastlines: The Poetry of Atlantic Canada, Exact Fare Only 2, and Landmarks: An Anthology of New Atlantic Canadian Poetry of the Land.
Explaining he鈥檚 not a 鈥淭ruth with a capital T, beauty with a capital B鈥 poet, he finds his inspiration in the everyday: in relationships, memory and loss鈥攁nd in hockey, where everything seems to come together. Reviewers have remarked on his stunning wordplay, stark imagery, intellectual passion听and 鈥渢hings unspoken.鈥
鈥淚 enjoy exploring the dark edge of the game,鈥 says Mr. Robinson, a goaltender who plays pick-up hockey three times a week in the winter and once in the summer. He鈥檚 spending his poetry winnings from the Malahat prize on new goalie pads, a blocker, and a trapper.
鈥淚 like soccer too,鈥 he adds, 鈥渂ut it鈥檚 not as sensory for me as a hockey rink or the closet where you keep your gear.鈥
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English professor David McNeil, who teaches the class Sport Literature and Culture: Hockey (), has invited Mr. Robinson to speak to his students on a couple of occasions and plans to again. His class is being offered again in September.
鈥淚t鈥檚 been a blessing for me (to have him on campus) because he鈥檚 a very good poet, very meticulous,鈥 says Dr. McNeil, who adds he鈥檚 not a bad goalie either. 鈥淚 find it fascinating to see the students listening to him so intently as he explains why he chose a point of view, an image, a certain line length 鈥 They learn so much about artistic choices just listening to him.鈥澨
As a hockey poet, Mr. Robinson doesn鈥檛 write about the winning goal or hockey heroes. He writes about the kid eager for the Zamboni driver to finish or the silence that wraps around an injured player who lies unmoving on the ice鈥斺淗ockey played in a Spryfield rink is far from the glamour of the NHL but it鈥檚 how a lot of us who love the game experience hockey,鈥 says Dr. McNeil.