麻豆传媒

 

Weaving Black history into the Canadian narrative

- September 13, 2022

The Royal Society of Canada has named Dr. Afua Cooper the winner of its J. B. Tyrrell Historical Medal in recognition of her impactful scholarship on Canadian Black history. (Cody Turner photos)
The Royal Society of Canada has named Dr. Afua Cooper the winner of its J. B. Tyrrell Historical Medal in recognition of her impactful scholarship on Canadian Black history. (Cody Turner photos)

Dr. Afua Cooper is a walker. She says it鈥檚 when she does her best thinking. She enjoys it. But when she weaves her way through the streets and pathways of Halifax, the past is always with her. It鈥檚 a history that she wants to make evident to her students and the world beyond the classroom.

鈥淚t's important to provide an understanding. Basic facts. We live in this world. We are walking on the streets of Halifax. What鈥檚 the history of this place? What鈥檚 the truth of it?鈥

The facts, she says, provide the foundation to build a common understanding, a starting place for a more productive dialogue and empathy.聽And, according to the Royal Society of Canada, no one has done more to build the facts of Canadian Black history than Dr. Cooper, who they鈥檝e an award granted every two years.

鈥淚t鈥檚 for the study of the history of Canada. For them to recognize the work that I鈥檓 doing, which focuses predominantly on Black history, it signals that they recognize the importance of this other history that has been at the margins for so long 鈥 recognizing it as an integral thread of Canadian history.鈥

In the shadows too long


Raising the profile of the African Canadian experience has been Dr. Cooper鈥檚 life鈥檚 work since completing her master鈥檚 degree focused on black teachers in Ontario during the 19th century at the University of Toronto. Over the three decades since completing her PhD, also at Toronto, she has been prolific, producing discipline-defining scholarship, museum exhibitions, art, and literary achievements.

Rising to prominence as a public scholar, she was named to the 鈥溾 in 2022 by Maclean鈥檚 Magazine, a rollcall of 50 Canadians 鈥渇orging paths, leading the debate and shaping how we think and live.鈥

鈥淚 have an impulse to say, 鈥榃e are here, we have been here as Black people and it鈥檚 important 鈥 we鈥檝e been in the shadows too long,鈥 says the Jamaican-born scholar who moved to Toronto in 1980.

This impulse led her to write an account of a slave woman condemned to death, which has been credited for dispelling the myth that slavery was absent from Canadian history. A continual best seller since its publication in 2006, the book was a finalist for a Governor General鈥檚 Award.

Setting the historical record straight at schools


Having played a leading role setting the Canadian historical record straight, she was a natural choice to spearhead 鈥A Black People鈥檚 History of Canada,鈥 an ambitious Canadian Heritage-funded project that will address the inadequacy of African Canadian history education across the country at all grade levels. The project, announced in April last year, will support leading Black historians and organizations to create engaging learning materials and digital media about the history of Black Canadians.

鈥淚t鈥檚 a massive task that I have undertaken as a principal investigator,鈥 says Dr. Cooper. 鈥淲e鈥檙e looking at diverse themes: civil rights, slavery, abolitionism, the black press, schools and education and much more, for every province in this country and also the territories.鈥

She says that they will be breaking new ground, exploring the black experience as far north as the Yukon, noting that Black history touches nearly every corner of the country. She also says that, while content will lay bare inequities experienced by Black people, it will also celebrate Black achievement.

鈥淚t鈥檚 a history of accomplishment, it鈥檚 a history of sorrow. It鈥檚 a history of oppression, it鈥檚 a history of resistance. And we will stress all aspects because it鈥檚 a wholistic history.鈥

At 麻豆传媒, her leadership has left an indelible mark. She was the James R. Johnston Chair in Black Canadian Studies, the only named Black studies chair in Canada, from 2011 to 2017, during which she developed the first Black Studies minor at a Canadian university. She also chaired the聽Lord 麻豆传媒 scholarly panel tasked with examining questions surrounding Lord 麻豆传媒鈥檚 historic links to the institution of slavery and racial injustice.

鈥淒r. Cooper has played and continues to play an integral role helping our university reckon with its past and pointing us to a more equitable and just future,鈥 says Deep Saini, president and vice-chancellor of 麻豆传媒. 鈥淗er research, art and advocacy are helping to set the 麻豆传媒 community and the entire country on a better path.鈥

Related reading: Unravelling a legacy - Inside the Lord 麻豆传媒 Panel鈥檚 report

From the sweep to the small



In conversation, Dr. Cooper describes the sweep of Canadian history in narratives that leap across borders, track events over generations, and paint pictures of battles, mass migrations, injustices, and upheaval. And throughout, she weaves the Black experience. The result is a tapestry so big that it can almost overwhelm.

But she is also very interested in attending to the small.聽For this, she uses poetry, an artform she pursued as Halifax鈥檚 poet laureate from 2018 to 2020.聽聽

鈥淚 feel sometimes facts on their own just can鈥檛 capture what I would like to capture,鈥 she says. 鈥淲hat was the person feeling? A child who lost her parents in the war and was sold to different masters. This child shows up with a group of people in Digby, Nova Scotia as an orphan. How do you account for this child鈥檚 life? For me, the way is poetry.鈥

In a recent unpublished poem, Dr. Cooper reacts to the list of nameless children included in the Book of Negros, the register created to account for Black people British forces transported from the United States at the conclusion of the American Revolution in 1783. She conjures a scene at a port where Black people, many escaping slavery, were embarking en masse, as scribes scrawled thousands of names in ledgers.

鈥淎nd sometimes they got tired. And so, for some of the children, they didn鈥檛 bother to ask their names. They would just write, 鈥榯his is the child of Venus, child of Sarah, child of Abigail.鈥 I鈥檓 sure the child had a name, but they couldn鈥檛 be bothered, or they were too tired.鈥

Her poem is a mediation on those children, the nameless about to start a life in Canada.聽

Child of Mine

(Some Black Loyalists鈥 infants and babies listed in Guy Carleton鈥檚 Book of Negroes, 1783, as Black Loyalists prepare to leave New York Port for Nova Scotia.)

Child of Venus

Child of Sarah

Child of Hagar

Child of Chloe

Child of Peggy

Child of Patty

Child of Dinah

Child of Thomas

Child of Betsy

Child of Mary

Child of Guinea

Child of Few

Child of Prince

Child of Abigail

Child of Warner

Child of Cooper

Child of Allen

Child of Violet

Child of David

Child of Westcot

Child of Willoughby

Child of Effy

Child of Ceasor

Child of Sentry

Child of Isabella

Child of Lucinda

Child of Jupiter

Child of Gambia

Child of Campbell

Child of Johnson

Child of Watson

Child of Williams

Child of Bing

Child of Tynes

Oh dear, sweet child of Mine.


Comments

All comments require a name and email address. You may also choose to log-in using your preferred social network or register with Disqus, the software we use for our commenting system. Join the conversation, but keep it clean, stay on the topic and be brief. Read comments policy.